#I need to know if you are out there

[bethanydelleman]

I saw THE MOST ridiculous thing on a soap opera (I know, what am I doing looking for logic?) and I can't stop thinking about it. So this woman wants to test if a mother and fraternal mixed-gender twins are related, but on the down low. She goes to the mother's bathroom and steals a toothbrush and hair, so far so good. She goes to the room where the twins have their at-home study desks and takes a brush off the girl's desk and takes hair. Believable. But then, and this I cannot believe, the son's desk has a picture of just him, a framed glamour shot. Then in front, his toothbrush, in a travel case. I mean, perfect for DNA thieves, but like... wut?

*By this I mean, you aren't doing something fun (I could see someone having a picture of themselves hiking or something), you are just posing for a picture. All by your lonesome.

I could understand the glamour shot if this character was extremely vain, but he wasn't. Another character on the show had massive wall-covering prints of herself, but that fit her character traits.

I could understand having a toothbrush at work, which would be in a travel case, BUT AT HOME????

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[bananonbinary]

also worth noting that "abusive" doesn't actually mean "irredeemable" either.

there's a lot of people that have done things in the past that were bad, because they weren't taught any better, or they were in an overall toxic situation where EVERYONE was shitty (like a cult), or they were just at an especially low point and hurt others for it.

you don't have to forgive them. you don't have to ever speak to them again. you can be angry with them until you die if you want.

but society cannot function if we don't allow them to move on. to change their behavior and fuck off somewhere else and build meaningful relationships without bothering you again. we need a path for people to change, or nothing ever will.

[egophiliac]

still rolling around on the ground over the contrast between Jack and Mal. it's so...🤌🤌🤌

[hotdogmchiggin]

Company Mandated Fancy Fits on the Tulpar 😏

Also had to include the REAL star of the show (and a bonus)

Based off of this and this. Thank you very much joetastic for being inspirational 👍

The REAL reason this is late

[star-anise]

I really wonder if trauma theorists who say things like "Humans are the only animal that will be in a fright state when physically safe" or "the rest of the animal kingdom doesn't get PTSD" have ever, like

Do you think they've actually ever met an animal?

[swiggity-swexual-i-am-asexual]

We all know the semi-canonical ‘all the Robins know to hide/duck inside of Batman’s cape, even as adults’ thing.

We also know that Danny ‘is LITERALLY a ghost’ Fenton sucks at remembering his own intangibility while ALSO forgetting to look ahead of him.

All I’m saying is, Danny Fenton (or Phantom, if you’d really like) would absolutely SLAM into Batman on accident while running on roof tops and Bruce ‘Brooding Instinct’ Wayne doesn’t even think twice about letting the kid hide and scanning around for danger before there’s a record scratch of ‘wait who tf is this?’ kicks in.

[gongyussy]

if nothing else can save america this zero-year-old fairy baby otter with no gender can. chiitan's platform is love. and chaos.

[lazylittledragon]

ok look i love astarion with my whole soul and this might be an unpopular opinion but post-brain, i don’t think he’s fashionable. i think he knows how to dress well and likes wearing nice clothes but i really feel like 90% of the time when he’s at home he would just want to be comfortable. i think this man wears dad slippers and owns an ungodly amount of sweaters and comfy loungewear. furthermore i would like to put forward that the person who DOES put together a fucking Look every single day of his life is wyll fucking ravengard. in this essay i will

[ninjasmudge]

thats a red flag narinder, get that crown back while you still can

+ top panel without text below the cut

[poorly-drawn-mdzs]

HOT, SINGLE, UNSTUDIED SPONGES. 3000 NAUTICAL MILES AWAY. Come sail the distance and read Tiger Tiger!

[adriles]

when we’re done with our overwhelming grief we’ll eat i guess

[cairafea]

my favourite genre of seventeen is when they're straight up lying

ref:

[bunnyboy-juice]

you guys know butch =/= taking T right? you guys know dyke masculinity is not correlated to being transmasc right? you guys know that even your silly jokes where you flatten butchness to taking T/being transmasc is extremely transmisogynistic right?

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show: